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Blitzkrieg |
| by:
Vinnie Apicella
There are two ways to
perceive a band like Blitzkrieg. The first is that since they were among
the NWOBHM pioneers that broke the scene back in 1980 and helped forge
the sounds of the true Metal revolution that's continued to be felt and
employed by countless bands worldwide, they're deserving of attention.
The other is of course to dismiss them as another of the immersible
also-rans that didn't have the stamina to break big and let 'em stay
"buried." This question thus, is easily answered in the output that is
exactly what the title says it is, "Absolute Power." More so than many
other styles, Metal music is about history and tradition, the world
over-the underground, underdog monument that survives one way or the
other. And so a band like Blitzkrieg, for all their early shortcomings,
had their glorious moment with the "Buried Alive/Blitzkrieg" 7" single
released back in '81, and without question one of the most important
releases. They were every bit the Metallica type they'd come to be
infamous for only a couple years later, but as I learned upon meeting
the band earlier this spring, they are not about resting on laurels or
laying praise to those who've followed and furnished their own storied
careers. So on their fifth record, the band is out for blood and out to
prove they belong again with an album that sounds like they never
stopped. As the follow up to '98s "The Mists Of Avalon" release, a more
elemental solo-driven effort of sorts from mainstay vocalist Brian Ross,
"Absolute Power" recreates the pounding sincerity and authoritative
aggression from the best of their past, from the logo, to the double
ended "swords in the air, play it loud" song titles, to the vintage
cover art, it's a storming comeback of a record. Usually when the band
builds up their latest work as they did, fans always approach with a
degree of uncertainty as if the band no longer possessed the ability or
aptitude to pull it off. With the return of longtime guitarist Tony
Liddle in the fold, as well as a new core group of young and hungry
Metal-wise musicians, "Absolute Power" is advantaged in that it's rooted
in history and delivered with the tenacity of a twenty-something start
up. "Legion" is a pit-worthy first shot fired with blistering double
guitar parts and double-bass kick that sets a well kept pace; "Soul
Stealer" is a mid-range, groove-drawn follow up with a hook, exemplary
of second track status; "The Face Of Death" is more speed to go with
heavy riffing and mid-song head bang procession; "Enchanted Tower" slows
the pace for an atmospheric jaunt typical of the "Mists" character;
"Dark City" and "Who Takes The Fall?" are back to back stalwarts of the
old guard, while "DV8R" and "Metalizer" find the Liddle/Nesbitt guitar
tandem in boundless form, doubling up the riffing, conscientious though
not consumed by harmony, their playing is definitely among the strengths
here. "Absolute Power's" been years in the making but proves worth the
wait. It is a complete Blitzkrieg record; something that's been missed
since "Unholy Trinity" many a dark cloud ago. There are no fancy effects
or blatant misuse of in-studio treachery-in fact, its endearingly old
school production could stand a high end boost for clarity, if anything.
Every bit the band they once were and set out to be again, "Absolute
Power" is Blitzkrieg's emphatic response to those "Whatever happened
to." questions that've plagued many a Metal veteran.
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